"There’s even an argument to be made that Van Gogh effectively ended painting’s landscape genre with these last works"—Jamie Aylward
Christopher Nolan's "Oppenheimer," as discussed by the editors and friends of Dispatches magazine—rants, raves, reviews and more.
“A recent exhibition in Paris focuses on the 1930s when the painter’s output reached new peaks"—Jamie Aylward
"...Perl and Lefebvre’s writing ultimately bears directly on an aspect of the discourse that can get lost in the din: the art itself."
“Today, this overwhelming exhibit still begs the question—what was in the air back then? Maybe trauma, debauchery, or nihilism?"—Jamie Aylward
Chantal Akerman, From the Other Side, an "exhibition as absorbing as seeing the original films on the big screen"—Jamie Aylward
"The first few frames of Wes Anderson’s new film, The French Dispatch, show an unpeopled printing plant in action..."